I’m always afraid of becoming stagnant. With this film, I really wanted to do something different. I wanted to push myself as a cinematographer and try things that I had only ever dreamed of. Rather than just watching from a distance, I wanted to take the audience on the journey with Aaron. That’s when I decided that a majority of the shots would be tracking along side, down below, or up above him while he rides. Along with tracking Aaron, I wanted to mount cameras to the bike so that the audience could experience the feeling of being on the bike with him. This lead to ambitious camera mounting techniques that would not have been possible without an amazing team behind us.
Jon Riley Out In Space StudiosGSS Op
Override FilmsMoto Hyper Crane
Rigged byTom Watson
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